Journal of ART in SOCIETY
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    • Gabriel Metsu and the gentle art of letter writing
    • Exploring Gustave Caillebotte’s Paris Street, Rainy Day
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    • Art and Survival in Patagonia
    • The Isenheim Altarpiece Pt 1: Pestilence and the Concert of Angels
    • The Isenheim Altarpiece Pt 2: Nationalism, Nazism and Degeneracy
    • The shocking birth and amazing career of Guernica
  • Forgotten Women Artists
    • Forgotten Women Artists: introduction
    • Forgotten Women Artists: #1 Arcangela Paladini: The Rapid Rise and Fall of a Prodigy
    • Forgotten Women Artists: #2 Jane Loudon
    • Forgotten Women Artists: #3 Marie-Gabrielle Capet: Stepping out from the Shadows
    • Forgotten Women Artists #4: Michaelina Wautier: entering the limelight after 300 years
    • Forgotten Women Artists #5 Thérèse Schwartze and the business of painting
    • Forgotten Women Artists: Christina Robertson: A Scottish artist in Russia
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    • Emerging from Obscurity: Georges de La Tour's Musicians' Quarrrel
    • Murder, Caravaggio and The Taking of Christ
    • The rescue of the fabulous lost library of Deir al-Surian
    • Lost masterpieces of ancient Egyptian art from the Nebamun tomb-chapel
    • The Sphinx of Delft: Jan Vermeer’s demise and rediscovery
    • Carpaccio’s double enigma: Hunting on the Lagoon and the Two Venetian Ladies
    • Bernardo Bellotto and the reconstruction of Warsaw
    • The discovery of an early graphic novel
    • Michelangelo's disputed Entombment
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    • Bruegel’s White Christmas: The Census at Bethlehem
    • The emergence of the winter landscape
    • Bruegel and the Two Faces of Summer
    • Bruegel's Peasant Wedding Feast
    • Lost in Translation: Bruegel’s Tower of Babel
    • Perception and Blindness in the 16th Century
    • "All life is here": Bruegel's 'Way to Calvary'
    • Bruegel's Icarus and the perils of flight
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    • The extraordinary career of Granville Redmond, deaf artist and silent movie actor
    • Rose-Marie Ormond: Sargent’s muse and “the most charming girl that ever lived”
    • Dr Jekyll, Frankenstein and Shelley’s Heart
    • The Adventures of Nadar: photography, ballooning, invention & the Impressionists
    • Colonial artist, thief, forger and mutineer: Thomas Barrett's amazing career
    • Watchmen, goldfinders and the plague bearers of the night
    • Sarka of the South Seas
    • Should artists get royalties?
    • Strange encounters: the collector, the artist and the philosopher
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    • The Art of Shadows
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    • The life and death of Mummy Brown
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    • Prussian blue and its partner in crime
    • Why wasn't photography invented earlier?
    • Comets in Art
    • Art in a Speeded Up World >
      • Art in a Speeded up World: overview
      • Changing concepts of time
      • The 'new' time in literature
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    • Early influences of photography >
      • Pt 1: Initial impacts
      • Pt 2: Photography as a working aid
      • Pt 3: Photographic effects
      • Pt 4: New approaches to reality
  • Authenticity and meaning
    • Deception and Misdirection: Hieronymus Bosch’s The Conjuror
    • Reflections on a Masterpiece: Manet's A Bar at the Folies-Bergere
    • An exploration of vision, reality and illusion
    • Carpaccio's Miracle on the Rialto
    • Masters of All they Survey -- Gainsborough’s Mr and Mrs Andrews
    • Understanding Petrus Christus’ A Goldsmith in his Shop
    • Titian, Prudence and the three-headed beast
    • The origins of an Australian art icon
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end Notes
Feathers, fashion and animal rights

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[1] See for example Proverbs 12:10 “A righteous man regardeth the life of his beast”; Exodus 23: 12 “On the seventh day thou shalt rest: that thine ox and thine ass may rest”; see also Deuteronomy 22: 6-7.
[2] Genesis 1:26-28.
[3] See, for example,Peter Singer, “The Animal Liberation Movement”, Old Hammond Press, Nottingham, 1985 http://www.utilitarian.org/texts/alm.html
[4] David Perkins, Romanticism and Animal Rights, CUP, Cambridge, 2003, Ch 1.
[5] RJ Moore-Colyer, “Feathered Women and Persecuted Birds: The struggle against the Plumage Trade, c. 1860–1922”, Rural History, 11 at 57. 
[6] Perkins, op cit at 19. 
[7] Tim Birkhead and ors, Ten Thousand Birds: Ornithology since Darwin, Princeton University Press, 2014 at 374. 
[8] Moore-Colyer, op cit at 59. 
[9] Nicholas Daly, The Demographic Imagination and the Nineteenth-Century City, CUP, 2015 at 172. 
[10] Day, op cit; Robin W Doughty, Feather Fashions and Bird Preservation: A Study in Nature Protection, University of California Press 1975. 
[11] Daly, op cit at 171.
[12] Moore-Colyer, op cit at 66.
[13] Moore-Colyer, op cit at 57.
[14] Defenders also raised an argument that special breeding farms were being set up overseas (such as in India) so that feathers could be collected humanely. This claim was substantially discredited.
[15] Moore-Colyer, op cit at 69.
[16] These attitudes were of course still far from any significant embrace of modern animal liberation ideas about animals’ equality with humans and their possession of enforceable “rights”. 
[17] Moore-Colyer, op cit at 59.
[18] Moore-Colyer, op cit at 59.
[19] Barbara T Gates, Kindred Nature: Victorian and Edwardian Women Embrace the Living World, University of Chicago Press, at 114 onwards.
[20] WH Hudson, “Feathered Women”, SPB Leaflet No 10. 
[21] Letter, 10 July 1920 by HW Massingham, writing as ‘Wayfarer’; see also Moore-Colyer, op cit. 
[22] Letter to The Times, 3 July 1905, George Bernard Shaw. 
[23] R Abbott, “Birds Don’t Sing in Greek: Virginia Woolf and ‘The Plumage Bill‘”, in CJ Adams and J Donovan’s (eds) Animals and Women: Feminist Theoretical Explorations.  Duke University Press, 1995, cited in http://fashioningfeathers.info/murderous-millinery/
[24] Daly, op cit at 172. 
[25] George Frederic Watts, Vol III His Writings, McMillan & Co, London, 1912.
[26] Cited in Keri Cronin, at http://www.ourhenhouse.org/2012/12/a-dedication 27 December 2012.
[27] “Arthur Mattingley, Mathoura and a millinery war”, Mathoura Historical Information Sheet; and The Emu, 1 October 1907.
[28] “The Story of the Egret”, Bird Notes and News, Vol III, 1909 at 94-5.
[29] [available online at https://archive.org/stream/birdnotesnews03roya#page/104/mode/2up
[30] Moore-Colyer, op cit at 71.
[31] Moore-Colyer, op cit at 71.

© Philip McCouat 2016
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