Journal of ART in SOCIETY
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  • ARTICLES
  • Cultural trends and changes
    • Exploring Gustave Caillebotte’s Paris Street, Rainy Day
    • A very rich book for the very rich
    • Millet and the Angelus
    • The Two Women in White
    • Bruegel’s White Christmas: The Census at Bethlehem
    • Elsheimer’s Flight into Egypt: how it changed the boundaries between art, religion and science
    • The rescue of the fabulous lost library of Deir al-Surian
    • Feathers, fashion and animal rights
    • Lost masterpieces of ancient Egyptian art from the Nebamun tomb-chapel
    • On the Trail of the Last Supper
    • Floating pleasure worlds of Paris and Edo
    • The emergence of the winter landscape
    • Toulouse-Lautrec, the bicycle and the women's movement
    • From the Rokeby Venus to Fascism Pt 1: Why did suffragettes attack artworks?
    • From the Rokeby Venus to Fascism Pt 2: the Strange Allure of Fascism
    • The Futurists declare war on pasta
    • The art of giraffe diplomacy
    • Science becomes Art
  • Catastrophes and scandals
    • How one man saved the greatest picture in the world: Piero della Francesca’s Resurrection Page
    • Vermeer’s concert, the Gardner collection, and the art heist of the century
    • The Controversies of Constantin Brancusi: Princess X and the boundaries of art
    • Bernardo Bellotto and the reconstruction of Warsaw
    • Surviving the Black Death
    • Julie Manet, Renoir and the Dreyfus Affair
    • Art and Survival in Patagonia
    • The Isenheim Altarpiece Pt 1: Pestilence and the Concert of Angels
    • The Isenheim Altarpiece Pt 2: Nationalism, Nazism and Degeneracy
    • The shocking birth and amazing career of Guernica
  • Forgotten Women Artists
    • Forgotten Women Artists: introduction
    • Forgotten Women Artists: #1 Arcangela Paladini: The Rapid Rise and Fall of a Prodigy
    • Forgotten Women Artists: #2 Jane Loudon
    • Forgotten Women Artists: #3 Marie-Gabrielle Capet: Stepping out from the Shadows
    • Forgotten Women Artists #4: Michaelina Wautier: entering the limelight after 300 years
    • Forgotten Women Artists #5 Thérèse Schwartze and the business of painting
  • Lives and livelihoods
    • The Sphinx of Delft: Jan Vermeer’s demise and rediscovery
    • Rose-Marie Ormond: Sargent’s muse and “the most charming girl that ever lived”
    • The extraordinary career of Granville Redmond, deaf artist and silent movie actor
    • Dr Jekyll, Frankenstein and Shelley’s Heart
    • The Adventures of Nadar: photography, ballooning, invention & the Impressionists
    • Colonial artist, thief, forger and mutineer: Thomas Barrett's amazing career
    • Watchmen, goldfinders and the plague bearers of the night
    • Sarka of the South Seas
    • The discovery of an early graphic novel
    • Should artists get royalties?
    • Strange encounters: the collector, the artist and the philosopher
  • Techniques and technology
    • Art as a barometer of climate changes
    • The life and death of Mummy Brown
    • Egyptian blue: the colour of technology
    • Prussian blue and its partner in crime
    • Why wasn't photography invented earlier?
    • Comets in Art
    • Art in a Speeded Up World >
      • Overview
      • Pt 1: Changing concepts of time
      • Pt 2: The 'new' time in literature
      • Pt 3: The 'new' time in painting
    • Early influences of photography >
      • Pt 1: Initial impacts
      • Pt 2: Photography as a working aid
      • Pt 3: Photographic effects
      • Pt 4: New approaches to reality
  • Authenticity and meaning
    • Carpaccio's Miracle on the Rialto
    • Masters of All they Survey -- Gainsborough’s Mr and Mrs Andrews
    • Bruegel's Peasant Wedding Feast
    • Understanding Petrus Christus’ A Goldsmith in his Shop
    • Lost in Translation: Bruegel’s Tower of Babel
    • Perception and Blindness in the 16th Century
    • "All life is here": Bruegel's 'Way to Calvary'
    • Carpaccio’s double enigma: Hunting on the Lagoon and the Two Venetian Ladies
    • Bruegel's Icarus and the perils of flight
    • Michelangelo's disputed Entombment
    • Titian, Prudence and the three-headed beast
    • The origins of an Australian art icon
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