Art news
Here is our highly selective review of recent art-related journal articles and news items of interest.
Van Gogh gets the blues
An eight year investigation into the development of Van Gogh's techniques has revealed that some of the vibrant hues used by the artist have deteriorated significantly over the years, due to their exposure to light. It now seems that the blue walls that are so familiar to viewers of his The Bedroom were originally violet, and that the organic dye geranium lake which he used in still-lifes and landscapes has faded, turning pinks into white. The Art Newspaper, No 246, May 2013, p 49.
Rijksmuseum back open for business
Amsterdam's famous Rijksmuseum, the home of Rembandt's Nightwatch and Vermeer's Woman Reading a Letter, is finally set to fully re-open after a massive 10-year, $500 million facelift. Carol Vogel reports that the renovation – way over-budget and over-schedule – has enabled the museum to regain much of its 19th-century grandeur, while pairing it with 21st-century technology. Up to 2 million visitors are expected annually. "Glories restored, Rijksmuseum is reopening after 10 years", The New York Times, 1 April 2013.
Back to the future
Paul Cézanne is often regarded as a painter whose work has had far-reaching effects on the development of modern art. But what is perhaps less appreciated is the extent of his debt to predecessors such as Delacroix and Rubens. John-Paul Stonard reviews the evidence in "Cézanne and the Past", The Burlington Magazine, vol CLV, March 2013, p 173.
Isn't that a Vermeer on your wall?
A $5 million reward is being offered for information leading to the return of thirteen major art works stolen from Boston's Isabella Stewart Gardner Museum over 20 years ago. The theft, which included works by Vermeer, Manet, Degas and Rembrandt, remains the largest property crime in US history, with estimates of its present day value reaching $500 million. Ther reward is part of a joint recovery campaign just re-launched by the FBI and the Museum. FBI Media Release, 18 March 2013, www.FBI.gov/gardner
The future for art books
Publishers of art books are responding to modern market pressures in some counter-intuitive ways -- producing books that are bigger, heftier and more expensive than ever. In a wide-ranging article, Carolyn Bugler examines this and other pressing issues for publishers -- the future of online copyright, and new avenues such as social media. "Publish and be damned?" The Art Newspaper, No 244, March 2013 p 60.
Taste it and see
Everyone is familiar with the stereotype of a great artistic talent that is only recognised after they die or, conversely, falls out of favour after a brilliant career during their lifetime. But this is probably not typical, argues David Ekserdjian, who concludes that pecking orders of talent often remain surprisingly resilient. "How and why taste changes", The Art Newspaper, Section 2, No 244, March 2013, p 11.
France gets proactive on return of Nazi-plundered art
France is starting a search for the Jewish owners of about 2,000 pieces Nazi-plundered art, from Monets and Rubens to Renoirs, that hang in museums such as the Louvre and the Musée d'Orsay.The government is setting up a group of historians, regulators, archivists and curators to actively track down families, instead of waiting for claimants to come forward: http://www.bloomberg.com/news/2013-02-18/nazi-looted-art-s-jewish-owners-sought-by-france-in-new-quest.html, 18 February 2013
$100m+ fails to secure re-discovered Leonardo
The Dallas Museum of Art has failed in a $100m+ bid to acquire the Salvatore Mundi, the painting which was sold as a mediocre copy for a pittance in back in 1958 before its recent reattribution as an original by Leonardo da Vinci. The failure raises doubts as to whether any other museum could or would allocate the resources to acquire it. Art Newspaper No 243, February 2013, p 3.
Just give me the news
Photographers who produce spectacular images of Detroit, Chernobyl and other ravaged areas have sparked disagreements over their role and their motives. Are they exploiting other people's misfortunes? Or are they simply covering the bad news? Richard B Woodward, "Disaster photography: When is Documentary Exploitation?", ARTnews, 6 February 2013 http://www.artnews.com/2013/02/06
Van Gogh and Gauguin letter emerges
A personal four page letter, jointly handwritten by Vincent Van Gogh and Paul Gauguin shortly before their notorious breakup, has been sold at a Paris auction for €445,000. Previously held in a private collection, the letter was composed on paper torn from a school exercise book, and was addressed to a fellow artist Ėmile Bernard: Kim Willsher, "Van Gogh and Gauguin letter tells of artistic hopes that turned sour", www.guardian.co.uk, 23 November 2012; "Record price for letter by Van Gogh", The Art Newspaper No 242, January 2013, Section 2, p 3.
Barnes’ controversial reopening in downtown Philadelphia
In the latest development in the long running saga of the Barnes Foundation – as recounted in our Strange Encounters article – the highly-disputed relocation of the museum to downtown Philadelphia has now been completed. In reviewing the new gallery, András Szántó concludes that it demonstrates that it is possible to pay tribute to the past without surrendering to it, while Jed Perl suggests that something essential has been lost in the move: András Szántó, "The battle's over: but does the new Barnes work?"The Art Newspaper no 236, June 2012 p 41; David Ng,“Barnes Foundation in Philadelphia: What did the critics think?” Los Angeles Times, 22 May 2012. [May/June 2012]. Jed Perl, "A house is not a home", New Republic vol 243, iss 14, p 23. {Dec 2012]
Just freeze it!
Albrecht Altdorfer's newly-restored Triumphal Procession of Emperor Maximilian ! (1512-15) – all 50 metres of it – is being exhibited for the first time in its entirely as a frieze, at the Albertina Museum in Vienna. It's speculated that the work (which may originally have been twice as long) could have been intended as a performance piece, in which it was gradually unrolled in front of its royal audience like a moving film: Emily Sharpe, "Europe's 16th century film club" in The Art Newspaper, International edition, No 240, November 2012 p 45.
No gold rush for museums during Games
London's leading museums lost more than a million visitors during the recent Olympic Games. Martin Bailey reports that prospective visitors were apparently scared off by fears of traffic chaos and increased hotel prices, even though neither of these turned out to be as serious as had been widely predicted: "A not so golden Olympics" in The Art Newspaper, International edition, No 239, October 2012 p 17.
Spectacular art theft in Rotterdam
Thieves have overcome a state-of-the-art automated security system in a lucrative early-morning raid at Rotterdam’s Kunsthal museum. The theft, the largest in years in the Netherlands, included well-selected works by Picasso, Monet, Gauguin, Matisse and Lucian Freud [Octobert 2012]. See http://www.reuters.com/article/2012/10/16/entertainment-us-crime-dutch-paintings-idUSBRE89F0OX20121016
Massive tax bill no longer a threat to MONA
A $37 million dispute between Australian tax authorities and the "gambler/philanthropist" David Walsh has been settled, seemingly putting an end to questions about the future of his controversial Museum of Old and New Art (MONA). The museum, which has shocked and intrigued visitors with its idiosyncratic collection ranging from antiquities to the most outrageous modern works, has become one of the biggest tourist attractions in Tasmania, attracting more than half a million visitors since it opened last year. [20 October 2012]. See http://www.smh.com.au/entertainment/art-and-design/mona-is-now-safe-art-museum-survives-ato-stoush-20121020-27xsi.html
Who was the lady in green?
One of the many enigmas surrounding the Bayeux Tapestry has been the real identity of a green-clad woman, identified only as "AElfgyva", whose face is being touched by an unnamed cleric..Now JL Laynesmith has suggested that the woman was actually the wife of the unfortunately-named Ethelred the Unready, and that this new interpretation may play a crucial part in our understanding of the motives and message of the entire tapestry:"A Canterbury Tale", History Today, Vol 62, Iss 10 p 42, October 2012.
Red, black, silver… and messy
A small unsigned painting, reputed to be the last work of Jackson Pollock, has been withdrawn from a September 2012 auction following publication of a Vanity Fair article chronicling a longstanding dispute over its authenticity. The painting – Red, Black and Silver – had been put up for sale by the trustees of the late artist Ruth Kligman, who had been Pollock’s companion for the year before his death in a car crash in 1956 (Lesley M. M. Blum, “The Canvas and the Triangle” in Vanity Fair, September 2012; “Jackson Pollock’s Reported Final Painting Yanked from Upcoming Auction, Postponed At Least Until Next Year” in VF Daily, http://www.vanityfair.com/online/daily/2012/09/jackson-pollock-painting-pulled-ruth-kligman
Pulling the plug
With public funding cuts right across the UK, Geraldine Mitchell investigates the social, cultural and financial effects when museums are forced to close their doors for good: "Closing Time" in Museums Journal, July/ August 2012, p 22
Bikinis in Sicily
The World Heritage-listed archaeological site, the Villa Romana del Casale in Sicily – most popularly known for its spectacular mosaics of “bikini” girls – has reopened with some major new discoveries uncovered during the course of a five year restoration project. The Art Newspaper, International Edition, September 2012, p 8.
Art critic Robert Hughes dies
Iconoclastic Australian art critic and author, Robert Hughes, died in New York on August 6. The winner of numerous honours and awards, and described by the Guardian as "simply the greatest art critic of our time", Hughes was the longtime Time magazine art critic, and wrote widely in the fields of art (Lucian Freud, The Art of Australia, Nothing if not Critical), art biography (Goya), autobiography (Things I Didn’t Know), history (The Fatal Shore) and cultural history (Rome, Barcelona,The Culture of Complaint). He also produced some major award-winning television documentaries (The Shock of the New, The Mona Lisa Curse). [August 2012] http://www.guardian.co.uk/artanddesign/jonathanjonesblog/2012/aug/07/robert-hughes-greatest-art-critic
Top-end art market defies gravity
Writing from New York, Charlotte Burns notes that the top end of the art market appears to keep climbing, despite fresh crises in currency and banking markets and ongoing turmoil in the Eurozone. She asks "How long can the art market walk on water?" and concludes that the wealth of the super-rich is keeping the miracle going, but mostly for the best works.The Art Newspaper, International Edition, July/August 2012, p 1.
Continuing controversy about Caravaggio
Fierce controversy surrounds the validity of claims made by two Italian art historians that they have “rediscovered” 100 drawings which they have attributed to the 16th century baroque master Caravaggio. The paintings are contained in a Milan collection of art works from the studio of Simone Peterzano, under whom Caravaggio studied as a teenager. The claims have been released in a two-volume e-book Young Caravaggio – One Hundred Undiscovered Works, by Adriana Conconi Fedrigolli and Maurizio Bernadelli Curuz [July 2012]. See
http://www.nytimes.com/2012/07/07/arts/design/drawings-said-to-be-caravaggios-raise-doubts.html?_r=1
California's resale royalty struck down
A class action brought by a group of artists alleging that Sotheby's and Christie's had infringed California's Resale Royalties Act has been dismissed on the ground that the Act is unconstitutional. The court considered that the legislation violated the Commerce Clause of the US Constitution, because it attempted to regulate transactions that took place wholly outside the State. It is expected, however, that there may be an appeal.[June 2012]
Tate Britain in crisis, or not?
A Burlington editorial laments the bleak future for museum curators in general, and argues that Tate Britain faces urgent problems as a result of “a diminished public reputation, an insistent stress on the contemporary, sometimes at the expense of the historic” and redundancies and resignations that have contributed to “a broken continuity in the handing on of the curatorial baton”: “The Future of Tate Britain”, in The Burlington Magazine May 2012, http://www.burlington.org.uk/ Tate Britain has, however, been defended by director Penelope Curtis in a letter to The Art Newspaper no 236, June 2012, p 37 [May/June 2012]
Guggenheim releases free art catalogues
You can now get free online access to a wide range of art catalogues for shows held by the Guggenheim museum over past years: http://www.guggenheim.org/new-york/exhibitions/publications/from-the-archives
[May 2012]
Hey, isn’t that my painting?
Chin-Chin Yap examines where homage ends and appropriation begins. What moral rights do artists have over their own artworks?: “Devastating History”, in ArtAsiaPacific Magazine http://artasiapacific.com/Magazine/78/DevastatingHistory [May 2012]
Firing up wartime propaganda
Anthony Kelly describes how an unlikely 1941 exhibition of paintings by London firemen created a propaganda sensation in wartime United States: “Taking the Blitz to America”, in History Today, June 2012 http://www.historytoday.com/contents [May 2012]
Finders not keepers
A salvage company has been unsuccessful in preventing a cache of almost 600,000 gold and silver coins – estimated value of around $500 million – from being shipped back to Spain: The Art Newspaper, No 234, April 2012 p 27.[May 2012]
Sydney’s MCA gets spectacular facelift
Oscar Humphries describes the recent extensive redevelopment of the Museum of Contemporary Art in Sydney, and concludes that it is now worthy of its spectacular harbour front location:“A New Horizon”, in Apollo, May 2012, http://www.apollo-magazine.com/contents/ [May 2012]
© Philip McCouat 2012, 2013
We welcome your comments and suggestions.
Return to Home
Site last updated: 6 June 2013
An eight year investigation into the development of Van Gogh's techniques has revealed that some of the vibrant hues used by the artist have deteriorated significantly over the years, due to their exposure to light. It now seems that the blue walls that are so familiar to viewers of his The Bedroom were originally violet, and that the organic dye geranium lake which he used in still-lifes and landscapes has faded, turning pinks into white. The Art Newspaper, No 246, May 2013, p 49.
Rijksmuseum back open for business
Amsterdam's famous Rijksmuseum, the home of Rembandt's Nightwatch and Vermeer's Woman Reading a Letter, is finally set to fully re-open after a massive 10-year, $500 million facelift. Carol Vogel reports that the renovation – way over-budget and over-schedule – has enabled the museum to regain much of its 19th-century grandeur, while pairing it with 21st-century technology. Up to 2 million visitors are expected annually. "Glories restored, Rijksmuseum is reopening after 10 years", The New York Times, 1 April 2013.
Back to the future
Paul Cézanne is often regarded as a painter whose work has had far-reaching effects on the development of modern art. But what is perhaps less appreciated is the extent of his debt to predecessors such as Delacroix and Rubens. John-Paul Stonard reviews the evidence in "Cézanne and the Past", The Burlington Magazine, vol CLV, March 2013, p 173.
Isn't that a Vermeer on your wall?
A $5 million reward is being offered for information leading to the return of thirteen major art works stolen from Boston's Isabella Stewart Gardner Museum over 20 years ago. The theft, which included works by Vermeer, Manet, Degas and Rembrandt, remains the largest property crime in US history, with estimates of its present day value reaching $500 million. Ther reward is part of a joint recovery campaign just re-launched by the FBI and the Museum. FBI Media Release, 18 March 2013, www.FBI.gov/gardner
The future for art books
Publishers of art books are responding to modern market pressures in some counter-intuitive ways -- producing books that are bigger, heftier and more expensive than ever. In a wide-ranging article, Carolyn Bugler examines this and other pressing issues for publishers -- the future of online copyright, and new avenues such as social media. "Publish and be damned?" The Art Newspaper, No 244, March 2013 p 60.
Taste it and see
Everyone is familiar with the stereotype of a great artistic talent that is only recognised after they die or, conversely, falls out of favour after a brilliant career during their lifetime. But this is probably not typical, argues David Ekserdjian, who concludes that pecking orders of talent often remain surprisingly resilient. "How and why taste changes", The Art Newspaper, Section 2, No 244, March 2013, p 11.
France gets proactive on return of Nazi-plundered art
France is starting a search for the Jewish owners of about 2,000 pieces Nazi-plundered art, from Monets and Rubens to Renoirs, that hang in museums such as the Louvre and the Musée d'Orsay.The government is setting up a group of historians, regulators, archivists and curators to actively track down families, instead of waiting for claimants to come forward: http://www.bloomberg.com/news/2013-02-18/nazi-looted-art-s-jewish-owners-sought-by-france-in-new-quest.html, 18 February 2013
$100m+ fails to secure re-discovered Leonardo
The Dallas Museum of Art has failed in a $100m+ bid to acquire the Salvatore Mundi, the painting which was sold as a mediocre copy for a pittance in back in 1958 before its recent reattribution as an original by Leonardo da Vinci. The failure raises doubts as to whether any other museum could or would allocate the resources to acquire it. Art Newspaper No 243, February 2013, p 3.
Just give me the news
Photographers who produce spectacular images of Detroit, Chernobyl and other ravaged areas have sparked disagreements over their role and their motives. Are they exploiting other people's misfortunes? Or are they simply covering the bad news? Richard B Woodward, "Disaster photography: When is Documentary Exploitation?", ARTnews, 6 February 2013 http://www.artnews.com/2013/02/06
Van Gogh and Gauguin letter emerges
A personal four page letter, jointly handwritten by Vincent Van Gogh and Paul Gauguin shortly before their notorious breakup, has been sold at a Paris auction for €445,000. Previously held in a private collection, the letter was composed on paper torn from a school exercise book, and was addressed to a fellow artist Ėmile Bernard: Kim Willsher, "Van Gogh and Gauguin letter tells of artistic hopes that turned sour", www.guardian.co.uk, 23 November 2012; "Record price for letter by Van Gogh", The Art Newspaper No 242, January 2013, Section 2, p 3.
Barnes’ controversial reopening in downtown Philadelphia
In the latest development in the long running saga of the Barnes Foundation – as recounted in our Strange Encounters article – the highly-disputed relocation of the museum to downtown Philadelphia has now been completed. In reviewing the new gallery, András Szántó concludes that it demonstrates that it is possible to pay tribute to the past without surrendering to it, while Jed Perl suggests that something essential has been lost in the move: András Szántó, "The battle's over: but does the new Barnes work?"The Art Newspaper no 236, June 2012 p 41; David Ng,“Barnes Foundation in Philadelphia: What did the critics think?” Los Angeles Times, 22 May 2012. [May/June 2012]. Jed Perl, "A house is not a home", New Republic vol 243, iss 14, p 23. {Dec 2012]
Just freeze it!
Albrecht Altdorfer's newly-restored Triumphal Procession of Emperor Maximilian ! (1512-15) – all 50 metres of it – is being exhibited for the first time in its entirely as a frieze, at the Albertina Museum in Vienna. It's speculated that the work (which may originally have been twice as long) could have been intended as a performance piece, in which it was gradually unrolled in front of its royal audience like a moving film: Emily Sharpe, "Europe's 16th century film club" in The Art Newspaper, International edition, No 240, November 2012 p 45.
No gold rush for museums during Games
London's leading museums lost more than a million visitors during the recent Olympic Games. Martin Bailey reports that prospective visitors were apparently scared off by fears of traffic chaos and increased hotel prices, even though neither of these turned out to be as serious as had been widely predicted: "A not so golden Olympics" in The Art Newspaper, International edition, No 239, October 2012 p 17.
Spectacular art theft in Rotterdam
Thieves have overcome a state-of-the-art automated security system in a lucrative early-morning raid at Rotterdam’s Kunsthal museum. The theft, the largest in years in the Netherlands, included well-selected works by Picasso, Monet, Gauguin, Matisse and Lucian Freud [Octobert 2012]. See http://www.reuters.com/article/2012/10/16/entertainment-us-crime-dutch-paintings-idUSBRE89F0OX20121016
Massive tax bill no longer a threat to MONA
A $37 million dispute between Australian tax authorities and the "gambler/philanthropist" David Walsh has been settled, seemingly putting an end to questions about the future of his controversial Museum of Old and New Art (MONA). The museum, which has shocked and intrigued visitors with its idiosyncratic collection ranging from antiquities to the most outrageous modern works, has become one of the biggest tourist attractions in Tasmania, attracting more than half a million visitors since it opened last year. [20 October 2012]. See http://www.smh.com.au/entertainment/art-and-design/mona-is-now-safe-art-museum-survives-ato-stoush-20121020-27xsi.html
Who was the lady in green?
One of the many enigmas surrounding the Bayeux Tapestry has been the real identity of a green-clad woman, identified only as "AElfgyva", whose face is being touched by an unnamed cleric..Now JL Laynesmith has suggested that the woman was actually the wife of the unfortunately-named Ethelred the Unready, and that this new interpretation may play a crucial part in our understanding of the motives and message of the entire tapestry:"A Canterbury Tale", History Today, Vol 62, Iss 10 p 42, October 2012.
Red, black, silver… and messy
A small unsigned painting, reputed to be the last work of Jackson Pollock, has been withdrawn from a September 2012 auction following publication of a Vanity Fair article chronicling a longstanding dispute over its authenticity. The painting – Red, Black and Silver – had been put up for sale by the trustees of the late artist Ruth Kligman, who had been Pollock’s companion for the year before his death in a car crash in 1956 (Lesley M. M. Blum, “The Canvas and the Triangle” in Vanity Fair, September 2012; “Jackson Pollock’s Reported Final Painting Yanked from Upcoming Auction, Postponed At Least Until Next Year” in VF Daily, http://www.vanityfair.com/online/daily/2012/09/jackson-pollock-painting-pulled-ruth-kligman
Pulling the plug
With public funding cuts right across the UK, Geraldine Mitchell investigates the social, cultural and financial effects when museums are forced to close their doors for good: "Closing Time" in Museums Journal, July/ August 2012, p 22
Bikinis in Sicily
The World Heritage-listed archaeological site, the Villa Romana del Casale in Sicily – most popularly known for its spectacular mosaics of “bikini” girls – has reopened with some major new discoveries uncovered during the course of a five year restoration project. The Art Newspaper, International Edition, September 2012, p 8.
Art critic Robert Hughes dies
Iconoclastic Australian art critic and author, Robert Hughes, died in New York on August 6. The winner of numerous honours and awards, and described by the Guardian as "simply the greatest art critic of our time", Hughes was the longtime Time magazine art critic, and wrote widely in the fields of art (Lucian Freud, The Art of Australia, Nothing if not Critical), art biography (Goya), autobiography (Things I Didn’t Know), history (The Fatal Shore) and cultural history (Rome, Barcelona,The Culture of Complaint). He also produced some major award-winning television documentaries (The Shock of the New, The Mona Lisa Curse). [August 2012] http://www.guardian.co.uk/artanddesign/jonathanjonesblog/2012/aug/07/robert-hughes-greatest-art-critic
Top-end art market defies gravity
Writing from New York, Charlotte Burns notes that the top end of the art market appears to keep climbing, despite fresh crises in currency and banking markets and ongoing turmoil in the Eurozone. She asks "How long can the art market walk on water?" and concludes that the wealth of the super-rich is keeping the miracle going, but mostly for the best works.The Art Newspaper, International Edition, July/August 2012, p 1.
Continuing controversy about Caravaggio
Fierce controversy surrounds the validity of claims made by two Italian art historians that they have “rediscovered” 100 drawings which they have attributed to the 16th century baroque master Caravaggio. The paintings are contained in a Milan collection of art works from the studio of Simone Peterzano, under whom Caravaggio studied as a teenager. The claims have been released in a two-volume e-book Young Caravaggio – One Hundred Undiscovered Works, by Adriana Conconi Fedrigolli and Maurizio Bernadelli Curuz [July 2012]. See
http://www.nytimes.com/2012/07/07/arts/design/drawings-said-to-be-caravaggios-raise-doubts.html?_r=1
California's resale royalty struck down
A class action brought by a group of artists alleging that Sotheby's and Christie's had infringed California's Resale Royalties Act has been dismissed on the ground that the Act is unconstitutional. The court considered that the legislation violated the Commerce Clause of the US Constitution, because it attempted to regulate transactions that took place wholly outside the State. It is expected, however, that there may be an appeal.[June 2012]
Tate Britain in crisis, or not?
A Burlington editorial laments the bleak future for museum curators in general, and argues that Tate Britain faces urgent problems as a result of “a diminished public reputation, an insistent stress on the contemporary, sometimes at the expense of the historic” and redundancies and resignations that have contributed to “a broken continuity in the handing on of the curatorial baton”: “The Future of Tate Britain”, in The Burlington Magazine May 2012, http://www.burlington.org.uk/ Tate Britain has, however, been defended by director Penelope Curtis in a letter to The Art Newspaper no 236, June 2012, p 37 [May/June 2012]
Guggenheim releases free art catalogues
You can now get free online access to a wide range of art catalogues for shows held by the Guggenheim museum over past years: http://www.guggenheim.org/new-york/exhibitions/publications/from-the-archives
[May 2012]
Hey, isn’t that my painting?
Chin-Chin Yap examines where homage ends and appropriation begins. What moral rights do artists have over their own artworks?: “Devastating History”, in ArtAsiaPacific Magazine http://artasiapacific.com/Magazine/78/DevastatingHistory [May 2012]
Firing up wartime propaganda
Anthony Kelly describes how an unlikely 1941 exhibition of paintings by London firemen created a propaganda sensation in wartime United States: “Taking the Blitz to America”, in History Today, June 2012 http://www.historytoday.com/contents [May 2012]
Finders not keepers
A salvage company has been unsuccessful in preventing a cache of almost 600,000 gold and silver coins – estimated value of around $500 million – from being shipped back to Spain: The Art Newspaper, No 234, April 2012 p 27.[May 2012]
Sydney’s MCA gets spectacular facelift
Oscar Humphries describes the recent extensive redevelopment of the Museum of Contemporary Art in Sydney, and concludes that it is now worthy of its spectacular harbour front location:“A New Horizon”, in Apollo, May 2012, http://www.apollo-magazine.com/contents/ [May 2012]
© Philip McCouat 2012, 2013
We welcome your comments and suggestions.
Return to Home
Site last updated: 6 June 2013
